
“Every Rising Sun by Jamila Ahmed is a richly imagined, feminist reimagining of One Thousand and One Nights set against the real historical backdrop of 12th-century Persia. It centers on Shaherazade—recast not just as a storyteller staving off death, but as a clever, morally driven woman confronting betrayal, wielding her narratives to influence a powerful, unruly ruler and ultimately challenge empire-sized conflicts like the Third Crusade and Oghuz invasions. Balancing sweeping historical intrigue with the magic of folklore, the novel offers both interior depth and grand political vision as Shaherazade fights for redemption, agency, and the power of her own story .”
Before we dive into the nitty-gritty of this book review, I want to state that I’ve never read “One Thousand and One Nights,” and this book is a retelling of that story. Now, let’s talk about the characters. I liked the ideas behind these characters, but I don’t think the proper work was done on their arcs. Shaherazade is our main character and the POV we follow throughout the book. It makes a lot of sense for a woman who grew up at the court of the Malik to be observant and gain power throughout the story. However, we don’t actually see that development taking place.
The whole middle of the book lags, with not a whole lot happening when the proper character work could have been done. Yes, this is about a massive journey from Persia to Palestine, covering miles and miles of land. Once we get to the last quarter of the book, there’s a sudden shift, and Shaherazade emerges as this powerful woman. While I think that transition is understandable, we, as readers, don’t see that growth unfold in the text; we have to fill in those gaps ourselves. I don’t believe that’s how books should be written. Again, I like the idea, but I just don’t think it was properly executed.
I did like the atmosphere, and I would say that was my favorite part of the book. Some of the world-building, especially in Baghdad, was very vivid and somewhat reminiscent of when we visited Essos in “Game of Thrones.” I was really intrigued by the settings, and it made me want to research all the names and groups of people that I was hearing about. However, that was also one of my problems with getting immersed in the story. I found it challenging to engage because I didn’t have a background in all these different cultures and terms. This could just be my ignorance, but I feel like a book really needs to immerse you in its world and build that world for you so you can understand it. Unfortunately, that wasn’t done here.
On the positive side, the book did inspire me to research these cultures and this time period in the medieval Islamic world.
Let’s talk about the writing style, as it relates to my earlier point about being immersed in the story. I found myself really having to focus to grasp what I was reading in the main storyline. Shaherazade is portrayed as a storyteller, which makes sense since she tells stories that are woven into the narrative of “Every Rising Sun.” However, while trying to understand this world we’ve been thrown into, I found myself facing a fictional story within the story. I had to rearrange everything in my mind, questioning what is fiction in this world, what is real, and what important information I was supposed to take in. It was just very overwhelming for me to read.
Again, maybe if I had a better understanding of the Islamic world during medieval times, this book would have been easier for me to navigate. But I do think that the writing style could have been improved to avoid making me feel like I was being thrown from one story to the next and back again.
As I mentioned in the earlier paragraphs about the character work, this book starts out very fast-paced. It took me a little while to read because I was trying to adjust to the story, the culture, and the world-building. A lot was happening, and there was plenty of political and court intrigue, which I really enjoy in my historical fiction. However, once we reached the actual journey, it felt long, boring, and repetitive. The story was told over and over, with little scenes depicting the struggles of being on the road, such as dealing with plague, battles, and the inner turmoil between harems of women. You would think all of that would be intriguing, but the way it was written made it feel dull.
Then we get to the end, where things start to pick up again, but everything feels so sudden that it lacks the necessary buildup. All that time spent in the middle of the book felt like a waste. I felt like I wasted my time reading all of that when there could have been proper character work taking place. I do think this book lacks some logic; it makes sense how an observant girl could become powerful and how someone who immerses herself in stories and learns about the world around her could emerge as a strong woman. Yet, we don’t actually see this development; we’re just told that it happened.
This book didn’t do much for me, but I do think it could be a good historical fiction choice for those who enjoy young adult fantasy set in a desert, Middle Eastern-inspired world. If you like those themes, you might appreciate this one, but overall, I wouldn’t recommend this book.
2.42 out of 5 stars.







